ROBERT KNOKE, Bruce LaBruce, 2014
Edition of 10 + 1 AP
Numbered
Accompanied by a Certificate of Authenticity
Hand knotted
Wool & Silk
High / Low Cut

Robert Knoke gained worldwide recognition over the past ten years for his large-scale drawings of personalities shaping contemporary culture. Robert Knoke explores the genre of portraiture and its role in an era dominated by photography, redefining the genre for the 21st century. Knoke has obsessively developed an impressive body of work with a unique and vigorous signature style. His depiction of the human face and figure, neither illustrative nor defined by context, is delicate, sophisticated and elegant, and at times even dark, brutal and disturbing. Insistently working in solitude, he creates a self-imposed distance from his subjects working off of photographs he takes during first-time meetings with his subjects. In these informal settings, he carefully directs posture and facial expression with impulse, and moments later documents with a rawness that is comparable to mug shots. Knoke refrains from capturing an emotional facet of his subjects. Instead, he seeks to capture the raw and individualistic aspect that he initially and instinctually is drawn to. In the physical drawings, the figure stays planted within a space that disregards spatial or temporal boundaries. Abstractions are at times applied with fingerprints, paint smudges, monochrome forms or gestural lines, further shaping the figure and holding it in place. Although one would think that portraiture is the main theme of Knoke’s work, he is more concerned about the actual drawing than the live-like outcome of his subjects. For him, portraiture is just a point of departure, a vehicle to be able to explore the media itself. Still, Knoke curates his selection of subjects based on his own interests in culture, resulting in a personal embodiment of himself.

“I like the moment when the act of drawing exuberates raw energy. It is also about speed that I try to capture by moving my blackened fingers very fast over the paper. It is like hitting the keyboard of a piano very hard and fast, where each touch leaves a fingerprint.”
- Robert Knoke

Selected exhibitions: Face Gallery, Seoul, Seven, New York, NP Contemporary Art Center, New York.

Images: (1) Bruce LaBruce, 2014 (2) Robert Knoke, portrait (3) Bruce LaBruce, 2009, Mixed media on paper, 210 x 200 cm (82 7/10 × 78 7/10 in) (4) Bruce LaBruce, 2009 (in-situ)