THE BROAD
Henzel Studio x Mickalene Thomas
Los Angeles
Explore exclusive designs for The Broad

ART FOR NON-VIOLENCE
Carl Fredrik Reuterswärd, Calle Henzel
Malmo / Greater Copenhagen

SALONE DEL MOBILE / ROSSANA ORLANDI
Mary McCartney
Milan

SALONE DEL MOBILE / MOHD OFFICINA
Calle Henzel + Atelier Bowy C.D.
Milan

FRIEZE LA / MAISON LUNE VENICE
Calle Henzel
Los Angeles

FRIEZE LA / CULTUREEDIT GALLERY
Anselm Reyle
Los Angeles

FRIEZE LA / TWENTIETH
Calle Henzel
Los Angeles

KALKERIET CONTEMPORARY
Helmut Lang, Jwan Yosef
Malmo / Greater Copenhagen
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ART BASEL MIAMI BEACH / AVANT GALLERY
Andy Warhol
Miami

ROSSANA ORLANDI
Vanessa Beecroft, Mickalene Thomas, Mary McCartney
Porto Cervo

MOHD
Andy Warhol, Tom Hegen, Calle Henzel
Milan

KALKERIET CONTEMPORARY
Mary McCartney, Calle Henzel
Malmo / Greater Copenhagen 2023

TWENTIETH
Vanessa Beecroft, Nan Goldin, Kim Gordon, Katerina Jebb, Mary McCartney
Los Angeles, 2023

THE WEST HOLLYWOOD EDITION
10 Years of Henzel Studio Collaborations
Los Angeles, 2023

KALKERIET CONTEMORARY
Olaf Breuning, Calle Henzel
Malmo / Greater Copenhagen 2023

FRIEZE LONDON NO.9 CORK STREET
Tom Hegen 
London, 2022

ROSSANA ORLANDI GALLERY / FUORISALONE
Calle Henzel, Carl Fredrik Reuterswärd and Jwan Yosef
Milan, 2022

ARCHIPRODUCTS MILANO / FUORISALONE
Henzel Studio x Warhol and Calle Henzel
Milan, 2022

MOHD / FUORISALONE
Henzel Studio x Vanessa Beecroft
Milan, 2022

SALONE INTERNAZIONALE DEL MOBILE
Henzel Studio x Marilyn Minter
Milan, 2022

TWENTIETH GALLERY
Henzel Studio x Andy Warhol
Los Angeles, 2022

FROZEN PALMS GALLERY
Henzel Studio x Jwan Yosef
Los Angeles / Bastad, 2022

KESTNER GESELLSCHAFT
Henzel Studio Collaborations
Hannover, 2022

ART BASEL MIAMI
Kim Gordon, Marilyn Minter, Mickalene Thomas
Miami, 2021

FUORISALONE, ROSSANA ORLANDI
Henzel Studio x Richard Prince
Milan, 2021

FROZEN PALMS GALLERY
Henzel Studio x Andy Warhol
Los Angeles / Bastad, 202

TWENTIETH GALLERY
Henzel Studio x Helmut Lang
Los Angeles, 2021

FROZEN PALMS GALLERY
Henzel Studio x Tom of Finland
Los Angeles / Bastad, 2021

CULTURE-EDIT
Henzel Studio x Tom of Finland
Los Angeles, 2020

SAINT LAURENT RIVE DROIT
Henzel Studio x Helmut Lang
Paris, 2020

ROSSANA ORLANDI
Henzel Studio x Mickalene Thomas
Milan, 2020

FROZEN PALMS GALLERY
Henzel Studio x Jwan Yosef
Los Angeles / Bastad, 2020

TWENTIETH
Henzel Studio x Helmut Lang
Los Angeles, 2020

ROSSANA ORLANDI
Henzel Studio x Mickalene Thomas
Porto Cervo, 2020

ROSSANA ORLANDI
Henzel Studio x Ashley Bickerton
Milan, 2020

THE GOSS-MICHAEL FOUNDATION
Auction benefiting The Goss-Michael Foundation
Henzel Studio Collaborations + Tom of Finland, Andy Warhol, Calle Henzel
Dallas, 2019

ART BASEL MIAMI
Henzel Studio x Patrick Church
Miami, 2019

THE NEW
HSC, Calle Henzel
Los Angeles, 2019

ROSSANA ORLANDI
HSC, Andy Warhol, Calle Henzel
Porto Cervo, 2020

GAVLAK GALLERY
Henzel Studio x Jack Pierson
Palm Beach, 2019

FUORISALONE, ROSSANA ORLANDI
Calle Henzel
Milan, 2019

FUORISALONE, ALCOVA SASSETTI
HSC, Andy Warhol, Calle Henzel
Milan, 2019

NOMAD ART FAIR / MASSIMO DE CARLO
Henzel Studio x Carsten Höller
St. Moritz, 2019

NOTTINGHAM CONTEMPORARY
Henzel Studio x Linder Sterling
Nottingham, 2018

ROSSANA ORLANDI
HSC, Calle Henzel
Porto Cervo, 2018

BOCA RATON MUSEUM OF ART
Henzel Studio x Lawrence Weiner & Marilyn Minter
Boca Raton, 2018

ARTSY X FROZEN PALMS GALLERY
Henzel Studio x Robert Knoke
Artsy Online Exclusive, 2018

ART BASEL / KOOKU GALLERY
Henzel Studio x Anselm Reyle & Wilhelm Sasnal
Basel, 2018

FUORISALONE, ROSSANA ORLANDI
Calle Henzel
Milan, 2018

JOYCE ART BASEL HONG KONG
HSC, Tom of Finland, Andy Warhol, Calle Henzel
Hong Kong, 2018

MOCA DETROIT
Henzel Studio x Tom of Finland
Detroit, 2018

FROZEN PALMS GALLERY
Henzel Studio x Tom of Finland
Gothenburg, 2018

MOHD
Henzel Studio x Andy Warhol
Catania, 2018

GALLERIA ANTONIO VEROLINO
Leo Gabin
Modena, 2018

FROZEN PALMS GALLERY
Henzel Studio x Wilhelm Sasnal
Los Angeles, 2018

MOMA PS1
Henzel Studio x Tom of Finland
New York, 2017

KATONAH MUSEUM
Henzel Studio x Richard Prince & Marilyn Minter
New York, 2017

CASA COR / ART BASEL MIAMI
HSC, Andy Warhol, Calle Henzel
Miami, 2017

OPERAE ART FAIR / SECONDOME GALLERY 
Henzel Studio x Richard Prince
Turin, 2017

HUNDRED MILE
HSC, Calle Henzel, Andy Warhol, Tom of Finland
New York, 2017

57TH LA BIENNALE / INTERNI
Henzel Studio x Andy Warhol
Venezia, 2017

TANJA GRUNERT GALLERY / FRIEZE
HSC, Calle Henzel, Andy Warhol, Tom of Finland
New York, 2017

SELECTED PIECES BY LINDELOF
Henzel Studio x Andy Warhol
Stockholm, 2017

FUORISALONE, SUPERSTUDIO
Calle Henzel, Andy Warhol
Milan, 2017

PADDLE8 BENEFIT AUCTION
Benefiting Goodweave 
HSC, Calle Henzel, Andy Warhol, Tom of Finland
New York, 2017

MOCA
Henzel Studio x Mickalene Thomas
Los Angeles, 2017

MUSEUM OF CONTEMPORARY ART (MOCA)
Henzel Studio x Richard Prince & Marilyn Minter
Cleveland, 2016

SECONDOME GALLERY
Henzel Studio x Anselm Reyle
Rome, 2016

PALAZZO CISTERNA / SECONDOME GALLERY
Henzel Studio x Andy Warhol
Turin, 2016

MUSEUM OF CONTEMPORARY ART (MOCA)
Andy Warhol
Cleveland, 2016

ART BASEL MIAMI / ANIMA DOMUS
Henzel Studio x Andy Warhol
Miami, 2016

ART BASEL MIAMI / WEBSTER
Henzel Studio x Andy Warhol
Miami, 2016

FUORISALONE, 5VIE ART+DESIGN
HSC, Calle Henzel, Andy Warhol, Tom of Finland
Milan, 2016

ARTEP GALLERY
Calle Henzel
Verona, 2016

MAISON & OBJET
Helmut Lang & Calle Henzel
Paris, 2016

COLETTE
HSC, Calle Henzel, Andy Warhol, Tom of Finland
Paris, 2015

FUORISALONE, SUPERSTUDIO
Calle Henzel, Andy Warhol
Milan, 2015

GAGOSIAN
Henzel Studio x Richard Prince
New York, 2015

FREE GALLERY
Henzel Studio x Juergen Teller
Tokyo, 2015

RELATIVE SPACE
HSC, Calle Henzel, Andy Warhol, Tom of Finland
Toronto, 2015

MAISON & OBJET
HSC, Calle Henzel, Andy Warhol, Tom of Finland
Paris, 2015

AUSTERE
HSC, Calle Henzel, Andy Warhol, Tom of Finland
Los Angeles, 2015

THE WHITNEY MUSEUM OF AMERICAN ART
Henzel Studio x Jack Pierson
New York, 2015

MOCA
Henzel Studio x Bernhard Willhelm
Los Angeles, 2015

ART BASEL MIAMI / ANIMA DOMUS
Calle Henzel
Miami, 2015

FUORISALONE, TEMPORARY MUSEUM OF NEW DESIGN
Calle Henzel, Helmut Lang, Anselm Reyle
Milan, 2014

LA ART SHOW / MINOTTI
HSC, Calle Henzel
Los Angeles, 2014

ART BASEL MIAMI
Henzel Studio x Mickalene Thomas
Miami, 2014

FUORISALONE, SUPERSTUDIO
Calle Henzel
Milan, 2013

BARNEYS MADISON AVENUE
HSC (Henzel Studio Collaborations)
New York, 2013

Amato, Alina. Henzel Studio Paddle8 Auction. Numéro
Armstrong-Kizzee, Larry. Henzel Studios celebrates 20. Flaunt
Ayres, Rebekka. A Rich Tapestry. Zoo
Beaumont, Sarah. Calle Henzel. Architectural Digest
Beaumont, Sarah. Henzel: Ugo Bassi Isola. Architectural Digest
Bell, Jonathan. Henzel Salone preview. Wallpaper
Bertoli, Rosa. Helmut Lang & Calle Henzel. Wallpaper
Boer, Dienke. Henzel x Salone del Mobile. Vogue
Brumfitt, Stuart. Freedom belongs to the fool. i-D
Burrichter, Felix. Tom of Finland. Pin-Up Magazine
Black, Ezrha. Henzel Studio Collaborations. Artillery
Bortolotto, Murielle. Henzel x Warhol. Elle Decoration
Chan, Cindie. Henzel x Hong Kong Art Week. Lifestyle Asia
Checola, Giusy. Wall to wall at the MOCA. Cleveland. Domus
Chou, Thomas. Henzel Studio x Paddle8. L’Officiel Art
Cieszko, Julia. Wilhelm Sasnal. Design Alive
Clark, Andrea. Henzel Studio at Tanja Grunert. Crush Fanzine
Coe, Julie. Marilyn Minter Cracked Glass. Architectural Digest
Compain, Hugo. Henzel Studio x Colette. Vogue Paris
Corcoran, Heather. Bold art rugs. Dwell
Costantino, Alessio. Henzel Exhibition at Colette. Purple
D’Angelo, Fernanda. Trama Criativa. Casa Vogue Brazil
Dembinska, Natalie. Floor Filler. Ten
Dembinska, Natalie. Henzel Studio: Collaborations. Ten
Eckardt, Stephanie. Henzel x ToF: MOMA PS1. W Magazine
Evans, Christina. Ultra-high-design in NYC. Financial Times
Evans, Matthew. The Grand Carpet Comeback. 032c
Falconer, Alex. Barneys Before Friday’s Frieze. Interview
Fatemi, Kiana. Henzel Studio x Elton John Auction. Flaunt
Fernandes, Annabel. Henzel Studio. Purple
Fleur, Beach. Juergen Teller and Jack Pierson. Buro
Foiret, Cyril. Henzel Studio. Trendland
Fuls, Sally. Goldfinger’s Story. Architectural Digest
Dorris, Jesse. Henzel x Warhol. Interior Design Magazine
Dorris, Jesse. Tom of Finland. Interior Design Magazine
Given, Kathryn. Works of Art. Architectural Digest
Genta, Umberta. Henzel Studio. Architectural Digest
Gorodecky, Julia. Broken Glass. Frame
Hilpold, Stephan. Lang Lebe Lang. Der Standard
Hojnicki, Carrie. Goldin and Minter. Architectural Digest
Huston, Carol. Common Threads. Cultured
Hyland, Véronique. Lang and Prince. New York Magazine
Jackson, Benjamin. Collaborations. The Windows at Barneys
Jason, Allanah. Twentieth x Henzel Studio. L.A News Daily
Janelle, Zara. Salone del Mobile: Reyle. Blouin Artinfo
Johnson, Noah. Juergen Teller’s Vivienne Westwood. Style
Jones, Denna. Art Takes The Floor. Cover
Jonkers, Gert. Anselm Reyle’s Rug. Fantastic Man
Jones, Denna.The rug world goes pop. Cover
Kalt, Daniel. Henzel x Warhol. Die Presse
Keh, Pei-Ru. Rug trade. Wallpaper
Keltner De Walle, Jane. Henzel x Warhol. Architectural Digest
Kim, Dave. Henzel Exhibition. Surface
Kim, Dave. Walkable sculptures. Surface
Kristal, Alex. Forge Ahead. Elle Decoration
Kumurdian, Dijana. A Fresh Take. Vogue Living
Kühnast, Marie. Henzel x Warhol. Interview Magazine
Kühnast, Marie. Henzel Designerteppische. Interview
Kwun, Aileen. Loom large: Calle Henzel. Surface
Knott, Kylie. When art meets rug. South China Morning Post

Lai, Yukhun. Calle Henzel - revolutionizing the rug world. The People Magazine
Leung, Jasmine. Joyce Hong Kong x Henzel Studio Exhibition during Art Basel. Style Magazine
Le Fort, Clara. Henzel x Warhol. Numéro
Levy, Vincent. Henzel Studio Collaborations. Ten Magazine
Leung, Ricko. An arty carpet ride. The Art Gorgeous
Martin, Hannah. Nan Goldin x Henzel Studio collaboration. Architectual Digest
Martin, Hannah. Off The Walls. Elle Décor
Meek, Rachel. Brilliant, irreverent, deviant. Cover
Muñoz, Diana. Art Pillow. Ten Mag
Mullen, Matt. Objet d’Art: Mickalene Thomas. Interview
Mutti, Giulia. Art rugs: Henzel Studio. Another Magazine
Nelson, Karin. Artistic collaborations. W Magazine
Nelson, Karin. Hooray for Hollywood. W Magazine
Malachosky, Evan. Artist-designed rugs with Henzel Studio. Coolhunting
Mastboom, Martje. Henzel x Warhol. Vogue Living
Nardo, Arianne. 20 Years after Its Inception. Introspective
Ohlsson-Leijon, Karin. Warhol in Stockholm. Elle Decoration
Ohlsson-Leijon, Karin. Henzel x Warhol. Elle Decoration
Ohlsson-Leijon, Karin. Mattor Som Konst. Elle Decoration
Parker, Bowie Larson. Andy Warhol. Architectural Digest
Piccinini, Patrizia. Calle Henzel. Marie Claire
Pinet, Sophie. Tapis d’Artistes. Architectural Digest
Portwood, Jerry. The Second Coming of Tom. Out
Posdziech, Laura. Henzel Studio Collaborations. Wertical
Posdziech, Laura. Was Ihr Wollt. Monopol
Pyne, Mollie. Rugs: From Artisan to Art. Idol Mag
Raln, Laurent. Henzel Studio at Colette, Paris. Purple
Remsen, Nick. Looming Large. Vogue
Rodgers, Dominic. Weaving Artistic Magic. Artworks Journal
Rus, Mayer. Henzel at Austere. Architectural Digest
Ritz, Jessica. Los Angeles Opening. Architectural Digest
Rus, Mayer. AD visits Robert Downey JR. Architectural Digest
Santambrogio, Francesca. Calle Henzel. Architectural Digest
Singer, Maya. “We Never Played It Safe”. Style
Skupin, Bernd. Kunstfasern. Vogue Germany
Small, Rachel. Objet d’Art: Goodnight kiss. Interview
Socha, Miles. Helmut Lang x Henzel Studio. Women’s Wear Daily
Sobchak, Peter. Henzel Studio x Paddle8. Canadian Interiors
Spink, Sara. At Henzel Studio. Modern
Stansfield, Ted. Artworks. Another Magazine
Suqi, Rimi. This World-Renowned Artist. Architectural Digest
Trock, Lani. Henzel Studios x Twentieth Gallery. Autre
Tillberg, Jesper. Henzel x Warhol. SvD Magasinet
Trapani, Dominico. Colette x Henzel Studio. L’Officiel Italia
Tsipi, Evangelia. Henzel x Warhol: Inner Sanctum. Zoo
Upward, Lucy. Henzel Studio x Paddle8. Cover
Upward, Lucy. Henzel and Artist Friends. Cover
Upward, Lucy. Henzel Studio x Barneys NY. Cover
Weist, Dominic. Please Tread on Me. Document Journal
Wu, Su. Willhelm x Henzel Studio. The New York Times
Wu, Su. Totally Floored: Austere x Henzel Studio. Wallpaper
X, Cutler. The art of sexualizing fashion. Interview
Zahm, Olivier. Exhibition at Tanja Grunert. Purple
Zara, Janelle. Henzel Studio x Reyle in Milan. Art Info
Zas, Raquel. Arte contemporáneo de Henzel Studio. i-D

"A groundbreaking mixture of extraordinary artisan practices and cutting-edge fine art. Masterfully crafted."
Another Magazine

"Blurring the line between fine and decorative art."
Architectural Digest

"By blending new materials and techniques with traditional craftsmanship from Nepal and India, Calle set the foundations for what is today one of the world’s most progressive luxury art rug brands."
TTA Magazine

”Calle Henzel set up his factory in 1999, transitioning his fine art approach into the age of old craft of the weaver, reinventing rug making and bringing new approaches, materials and techniques to the industry.”
Wallpaper Magazine

"Uniquely straddle the line between art for observation and art for utility."
L'Officiel

"Walkable sculptures."
Surface Magazine

Milan (2014 - 2024) is a carefully curated collection featuring exquisite hand-knotted rugs designed by Calle Henzel. Exhibited prominently in Milan in conjunction with MiArt and Salone del Mobile, this collection serves as a summary of the rugs displayed in Milan over the last ten years and has gained recognition at various design exhibitions and events worldwide. The collection showcases Henzel's unique artistic vision, with each piece thoughtfully selected for its distinctive design, exceptional craftsmanship, and ability to transform spaces.

Henzel's artistic vision unfolds through this assemblage, revealing a meticulous blend of traditional craftsmanship and contemporary aesthetics. Each piece is thoughtfully selected to underscore Henzel's commitment to artistry while reflecting a broader dialogue with art history. The designs resonate with influences from celebrated artistic movements, echoing the works of pioneering artists who have similarly explored the interplay of material and meaning.

Among the featured works are selections from the Diamond Dust, Frozen Cut, Aura Patina, and Night Editions collections.

For instance, the Diamond Dust collection captures the mesmerizing phenomenon of diamond dust, mirroring the ethereal qualities found in the works of Impressionists like Claude Monet. Just as Monet sought to convey the fleeting effects of light, Henzel's rugs evoke a glistening allure, transforming spaces into immersive experiences that invite contemplation.

The Frozen Cut collection exemplifies Henzel's profound engagement with nature's transformative power, drawing parallels with Abstract Expressionists such as Helen Frankenthaler. Henzel's exploration of texture and layering creates a sensory dialogue reminiscent of Frankenthaler's fluid use of color to express complex emotions and natural phenomena, encouraging viewers to connect with the emotional resonance of the pieces.

In the Aura Patina collection, Calle Henzel reinterprets traditional patterns with a contemporary twist, merging historical significance and modern aesthetics. This approach reflects the influence of artists like Pablo Picasso, who deconstructed classical forms, and Wassily Kandinsky, who emphasized emotional resonance through color and form, paralleling Henzel's translation of diamond dust into textile art. Like Roy Lichtenstein, who blurred the lines between high and low culture, Henzel fuses historical motifs with contemporary design. His signature diamond dust overlays invite tactile engagement, reminiscent of Jackson Pollock’s innovative techniques. The collection honors artistic history while showcasing the ongoing evolution of design, turning rugs into dynamic statements that resonate with collectors and design enthusiasts alike.

The Night Editions collection, defined by its nearly monochromatic palette, draws comparisons to artists like Ad Reinhardt, whose focus on simplicity and depth through blackness challenges perceptions of color and light. Henzel's tonal interplay fosters a dialogue that resonates with Reinhardt's exploration of art's essence, revealing subtle complexities that elevate the ordinary to the extraordinary.

Through this curated collection, Henzel blurs the lines between art and design, crafting rugs that engage with contemporary aesthetics and contribute to the rich tapestry of artistic exploration. By situating these works within the context of renowned exhibitions, Henzel affirms the rug as an art form, inviting viewers to appreciate the transformative power of textiles in enriching any environment.

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Curated by Joakim Andreasson
Designed in collaboration with Calle Henzel

Since its groundbreaking debut at Barneys New York Madison Avenue during the prestigious Frieze Art Fair in 2014, Henzel Studio Collaborations has emerged as a vibrant nexus for artistic exploration and innovation. This initiative represents a bold convergence of fine art and collectible design, where contemporary rugs transcend their functional origins to become canvases for artistic expression. Featuring collaborations with over 30 leading contemporary artists, the collection merges Calle Henzel’s avant-garde approach with each creator’s distinct visual language. These limited-edition rugs engage in a profound dialogue between Henzel’s artistic sensibility and the artists' unique perspectives, making them highly collectible among art connoisseurs and design enthusiasts alike.

Central to the design process is the close collaboration between Calle Henzel, Joakim Andreasson, and the artists. While the artists are given free rein to explore and create, Henzel and Andreasson provide guidance to shape each piece into a cohesive work of art.

Joakim Andreasson’s curatorial expertise has been instrumental in shaping the direction of Henzel Studio Collaborations. His vision fosters dynamic relationships with a diverse array of artists, encouraging experimentation and allowing each artist to reinterpret rug design in line with their creative language. Under Andreasson’s guidance, the collection blurs the boundaries between art and functional design, elevating both the collectibility and artistic value of each piece.

Artists such as Ashley Bickerton, Sanford Biggers, Olaf Breuning, and Nan Goldin have brought their unique perspectives to the collection. Bickerton’s postmodern explorations of identity and materiality add a critical edge, while Biggers’ work, delving into cultural history and social justice, transforms the rug into a space for deep reflection. Olaf Breuning’s playful, conceptual art adds whimsy, contrasted by Nan Goldin’s emotionally raw photography, which translates intimate human narratives into the textile medium. Jack Pierson’s designs evoke nostalgia and beauty, transforming everyday materials into extraordinary art. These collaborations challenge the traditional role of rugs, turning them into coveted pieces of contemporary art.

In parallel, Henzel Studio Heritage honors the legacies of iconic figures in modern and contemporary art. Notably, the studio’s collaboration with the Andy Warhol Foundation for the Visual Arts reimagines Warhol’s iconic imagery through the medium of textile design. These pieces offer fresh interpretations of Warhol’s work while preserving the cultural significance of his original imagery, adding another layer of collectibility to these limited-edition pieces.

Under the Heritage initiative, Calle Henzel's hands-on approach allows estates and celebrated artists to explore new forms of expression within the rug medium while staying true to their original vision. This creative freedom to experiment with shape, volume, and texture results in hand-knotted masterpieces that feel equally at home in a gallery or an interior space. These limited-edition pieces are highly prized by collectors for both their artistic merit and rarity.

Henzel Studio Collaborations and Heritage are not simply design projects; they represent an ongoing dialogue between past and present, artist and designer, object and space. By positioning these rugs within the framework of fine art, Henzel Studio challenges the boundaries traditionally separating functional objects from artistic endeavors. This body of work redefines the role of textiles in contemporary art, inviting collectors and enthusiasts to reimagine the very nature of art itself. Guided by the collaborative efforts of Calle Henzel, Joakim Andreasson, and the participating artists, these highly collectible works continue to push the boundaries of creativity and craftsmanship, securing their place in the evolving landscape of contemporary art.

“Art rugs have existed in various forms for quite some time, with notable artists such as Francis Bacon and Pablo Picasso exploring this medium. However, rather than looking back, we aim to encapsulate contemporary art by collaborating with a curated group of artists who express their ethos within a defined scope. The collaboration of over thirty leading contemporary artists makes Henzel Studio Collaborations an unprecedented program, underscoring the timeless potential of this art form.”
— Joakim Andreasson, Curator for Henzel Studio

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In the striking series Le Météore de la Nuit, Calle Henzel unveils monumental handmade rug designs that exemplify his meticulous craftsmanship and profound artistic philosophy. This collection represents a pivotal exploration of balance, inviting viewers to immerse themselves in the intricate interplay between science and art. Henzel's work challenges conventional design, encouraging a deeper contemplation of the relationships between materials, forms, and spatial dynamics.

Central to Henzel's creative process are innovative free-form techniques that allow him to manipulate meticulously cut wool, mohair, and silk. These materials are chosen not only for their tactile qualities but also for their ability to convey a sense of movement and rhythm. The resulting textures and levels within each rug are carefully crafted to embody Henzel’s refined artistic language, creating a sensory experience that captivates the viewer.

This collection captures Henzel's organic aesthetic, characterized by architectural lines and abstract forms that resonate with fundamental laws of gravity. The interplay of light and shadow on each piece creates a dynamic visual dialogue that shifts with the viewer’s perspective. Each rug stands as a testament to Henzel's ability to intertwine art, science, and philosophy, making them deeply engaging and intellectually stimulating.

Moreover, these creations serve dual purposes: they are not only exquisite floor coverings but also compelling wall sculptures, custom-made to the client's specifications. This versatility allows Henzel's work to adapt seamlessly to various interior environments, transforming spaces into immersive art experiences. By transcending traditional boundaries of functionality, Henzel enriches contemporary interiors with a brilliant and thought-provoking aesthetic that provokes dialogue and reflection among viewers.

In exploring the thematic undercurrents of Le Météore de la Nuit, one can draw parallels with artists who have grappled with the relationship between science and art throughout history. Much like the Renaissance genius Leonardo da Vinci, who blended artistic vision with scientific inquiry, Henzel’s work invites viewers to consider the laws of nature through a creative lens. Similarly, contemporary artists such as Olafur Eliasson and Anish Kapoor have explored the intersection of science and art, using materials and forms to provoke questions about perception, light, and space.

Henzel's emphasis on organic forms and architectural lines resonates with the principles of geometric abstraction, reminiscent of artists like Donald Judd and Sol LeWitt, who explored the relationship between form and space. Their works invite viewers to engage with the mathematical and philosophical aspects of art, mirroring Henzel's approach to creating balance within his designs. Additionally, his focus on texture and materiality can be likened to the work of artists such as Gerhard Richter, who masterfully combines different mediums to evoke emotion and provoke thought.

Over the years, Henzel's work has graced prestigious venues and museums worldwide, earning recognition for its innovative approach and unwavering artistic integrity. Le Météore de la Nuit is more than just a collection of rugs; it is a celebration of the fusion of artistry and craftsmanship that challenges perceptions of textiles. Through these monumental pieces, Henzel invites us to reimagine our relationship with art, encouraging us to see beauty and meaning in the spaces we inhabit.

In the hands of Calle Henzel, rugs evolve into powerful narratives that reflect the complexities of the human experience, expressing our innate desires for beauty, balance, and connection. His dedication to exploring the intersections of material and metaphor enriches contemporary art dialogue, ensuring that his contributions resonate with audiences long after they have left the gallery or exhibition space. As we engage with Le Météore de la Nuit, we are reminded of the profound potential of art to inspire, provoke, and transform our understanding of the world around us.

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The Chiaroscuro collection by Calle Henzel reinterprets the timeless artistic principle of light and shadow, transforming this classical concept into a contemporary form of rug design. The motifs are profoundly inspired by the exquisite beauty of natural patterns found in sand dunes and the intricate, ever-changing textures of sand along the shoreline, shaped by the rhythmic touch of the sea in Brazil and Portugal. These fleeting impressions are carefully observed and reimagined, their essence distilled and translated onto paper with the meticulous precision of pencil lines, further enhanced in some areas by graphic, stamp-like repetitive patterns. This artistic process imbues the designs with an artisanal quality, capturing the raw elegance and transient poetry of nature while imparting a tactile, dynamic energy.

Originating in the Renaissance and fully realized in the Baroque era, chiaroscuro — which translates to “light-dark” in Italian — was a technique used to create dramatic contrasts between light and shadow, imbuing compositions with depth, texture, and emotional intensity. Artists like Caravaggio pioneered this method, using it to amplify the emotional drama in their works, allowing light to carve out figures from darkness and heighten the psychological tension of the scene. This technique was central to the development of realistic painting, as it allowed artists to add a three-dimensional quality to flat surfaces, making figures appear more lifelike and enveloped in a dynamic space. Henzel draws on these historical techniques, blending stark black and white contrasts with soft taupe tones, creating pieces that embody both the power and subtlety of this approach.

Crafted from semi-worsted wool, silk, mohair, and linen, Henzel’s rugs engage in a tactile dialogue with light. Each piece features hand-carved variations in height, enhancing the interplay between light and shadow and imbuing the designs with a sculptural quality. The texture of the materials — luxurious in both feel and visual impact — amplifies the chiaroscuro effect, creating a sensory experience that invites the viewer to interact with the rug not just as a functional object, but as a dynamic work of art. Henzel’s innovative approach merges traditional craftsmanship with modern techniques, invoking the emotive intensity of Caravaggio’s compositions while also drawing on the atmospheric effects seen in contemporary artists such as Anselm Kiefer and James Turrell.

Kiefer, known for his use of textured surfaces and layers of meaning, similarly manipulates light and shadow to evoke emotional depth. His works, often layered with historical references and symbolic gestures, create a visceral experience where light becomes a tool for conveying narrative and meaning. Similarly, Turrell’s use of light as an architectural element plays with perception and space, creating environments where light itself becomes the subject. This interplay of light and perception is echoed in Henzel’s treatment of texture and surface, where the rug’s form shifts depending on how light interacts with its intricate subtle carvings.

Additionally, contemporary photographers like Hiroshi Sugimoto, whose work often explores the dynamic tension between light and dark in minimalistic seascapes, resonate within the Chiaroscuro collection. His ability to evoke a meditative stillness through light manipulation parallels Henzel’s subtle gradients and textural interplay. Sugimoto’s iconic series of seascapes, captured with long exposures that blur the line between the natural and the abstract, highlights the power of light in defining form and depth. Henzel’s work similarly explores the nuances of light through texture, allowing the viewer to experience a visual tension that recalls the play of light across a smooth, reflective surface.

Henzel’s work, through these multiple references to both historical and contemporary practices, elevates the rug from a utilitarian object to an evocative work of art, engaging with the long tradition of light and shadow in art history while offering a fresh, dynamic interpretation for today’s design landscape. This collection challenges traditional notions of functional design, positioning the rug as a canvas for emotional expression and a means to experience the complexities of light in a physical, tactile form. It is through this nuanced exploration of light and shadow, drawing from centuries of artistic tradition and modern innovation, that Henzel continues to push the boundaries of what a rug can represent in the world of contemporary design.

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In Calle Henzel's Diamond Dust / Earth collection, the artist draws inspiration from the mesmerizing phenomenon of diamond dust, where minute crystals reflect sunlight in fleeting flashes, creating a dazzling spectacle. This ethereal occurrence serves as the catalyst for Henzel's innovative approach to rug design. The challenge of translating the sublime beauty of diamond dust into hand-knotted rugs is a complex undertaking, necessitating years of rigorous experimentation and refinement.

The culmination of this meticulous process results in rugs that evoke the glistening allure of ice and snow, illuminated by sunlight. Each piece captures the delicate interplay of light and texture, inviting viewers to immerse themselves in a sensory experience akin to the transient beauty found in nature. This collection transcends mere decoration, representing the culmination of a decade-long scientific exploration during which Henzel subjected his rugs to the harsh environmental elements of Northern Sweden. This exploration reflects a deep engagement with the natural world, reminiscent of the philosophies espoused by Land Art pioneers like Robert Smithson and Andy Goldsworthy, who sought to forge connections between art, nature, and the environment.

Henzel's dedication to creating luxurious pieces that are visually captivating and resilient echoes the ethos of artists such as Anish Kapoor, known for his exploration of materials and their reflective qualities. Kapoor’s use of polished surfaces and pigments engages with light in a manner that transforms perception, paralleling Henzel's efforts to encapsulate the dynamic beauty of diamond dust in textile form. This dialogue between light and material invites a deeper contemplation of how environments shape artistic expression.

Moreover, the Diamond Dust / Earth collection resonates with the work of abstract expressionist artists like Jackson Pollock, who famously used movement and spontaneity to create dynamic compositions. Henzel's approach mirrors this experimental spirit, as he meticulously developed techniques to manipulate wool, silk, and other materials to reflect the ephemeral nature of light, much like Pollock’s drips evoke the chaos and energy of his surroundings.

In addition to its visual allure, the collection embodies a sense of permanence that recalls the philosophies of artists like Donald Judd and his commitment to enduring materials. Judd's emphasis on form and structure, as well as his use of industrial materials, highlights the significance of both aesthetic and functional elements in contemporary art. Henzel’s rugs, while crafted from traditional artisan methods, also challenge the boundaries of design, standing as both functional objects and works of art that invite contemplation.

By capturing the sublime beauty of natural phenomena through meticulous craftsmanship, Henzel's work resonates within the broader narrative of contemporary art, where nature, science, and artistry converge. The final outcome of this collection speaks to Henzel's dedication to creating pieces that not only endure the test of time but also encapsulate both beauty and resilience.

Through Diamond Dust / Earth, Henzel invites viewers to engage with their surroundings and contemplate the fleeting moments of beauty that define our experiences. The rugs serve as a testament to the transformative power of art and design, encouraging a dialogue between the ephemeral and the eternal, much like the transient glimmers of diamond dust dancing in the sunlight.

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Calle Henzel emerges as a pioneering force in the realm of organic, free-form shaped rugs with his award-winning Frozen Cut collection. Renowned for its distinctive shapes and innovative aesthetics, this groundbreaking series sets a new standard within the industry and redefines our understanding of textile design. Henzel's pioneering work represents the culmination of a decade-long scientific experiment examining the transformative effects of natural elements on textiles, intertwining artistry with environmental inquiry.

In this rigorous process, Henzel exposed his rugs to the unforgiving environmental conditions of Northern Sweden, drawing inspiration from natural phenomena such as erosion, the thawing of snow, and seasonal germination. Each of these elements speaks to the beauty of impermanence and change, echoing the philosophy of artists like Robert Smithson, who engaged with the landscape in his land art projects. Much like Smithson’s 'Spiral Jetty', which highlights the delicate interplay between nature and human intervention, Henzel's rugs invite viewers to reflect on the dynamic relationship between art and the natural world.

The outcomes of Henzel's scientific explorations were meticulously translated into intricate designs, woven using centuries-old artisan practices that connect contemporary creativity with traditional craftsmanship. This blending of old and new resonates with the works of artists such as Anni Albers, a pioneer in textile art, who similarly merged innovative techniques with rich historical context. Henzel’s pieces embody a profound connection to nature, seamlessly integrating exceptional craftsmanship with innovative artistry, much like Albers' textile works, which challenge conventional notions of form and function while maintaining a deep appreciation for materials and their histories.

Each rug in the Frozen Cut collection serves not only as a functional object but as a tactile representation of the organic processes Henzel studied. The shapes and textures echo the intricate patterns found in nature, paralleling the work of contemporary artists like Olafur Eliasson, who explores perception and the elements in immersive installations. Eliasson's works often encourage viewers to engage with their surroundings and contemplate their relationship with nature—an experience mirrored in Henzel's rugs, which prompt a similar sense of reflection through their organic forms.

Henzel's innovative approach also draws parallels with the Art Nouveau movement, which sought to integrate artistic design with the natural world. Like artists such as Alphonse Mucha and Antoni Gaudí, Henzel emphasizes flowing lines and organic shapes that resonate with the beauty of nature. His work is an invitation to contemplate the intricate relationships between art, design, and the environment, challenging the viewer to reconsider their perception of textiles as mere functional items.

As Frozen Cut continues to earn acclaim in prominent venues and museums worldwide, Henzel's designs provoke dialogues surrounding the boundaries between art and utility, nature and industry. Viewers are invited to engage with these pieces as more than mere floor coverings; they are gateways to a deeper understanding of the intricate relationship between nature, art, and design.

Through his commitment to exploring the transformative power of natural elements, Henzel not only enhances contemporary interior spaces but also elevates the discourse surrounding textiles in contemporary art. Each piece in the Frozen Cut collection becomes a conversation starter, prompting inquiries into how our interactions with nature can inspire innovative artistic expression. Ultimately, Calle Henzel's work stands as a testament to the potential of art to transcend traditional boundaries, inviting us to reflect on the beauty of the natural world and our place within it.

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The Atelier Bowy C.D. collection exemplifies a vibrant collaboration rooted in the artistic spirit of the Bowery, NYC, now flourishing in Copenhagen. This partnership seeks to craft contemporary handmade rugs for both residential and contract spaces, seamlessly merging tradition with innovation. Calle Henzel's artistic process is characterized by an unwavering commitment to originality, pushing the boundaries of traditional rug design through meticulous research and bold experimentation.

Each piece in this curated selection embodies Henzel's distinctive approach, challenging the conventional norms of subject matter, shape, and treatment. By blurring the lines between art and design, Henzel creates rugs that captivate the imagination and redefine what a rug can be. This ethos mirrors the works of postmodern artists like Robert Venturi and Denise Scott Brown, who famously challenged architectural conventions through their designs, emphasizing complexity and contradiction. In the same way, Henzel’s rugs embrace multifaceted narratives, inviting viewers to see them not just as functional items, but as compelling works of art.

Drawing inspiration from the artistic vibrancy of the Bowery, Henzel channels the raw energy and creativity of New York City's art scene into his designs. This area has historically been a breeding ground for artistic innovation, reminiscent of the Dada movement's birthplace in early 20th-century Zurich. Much like the Dadaists, who sought to disrupt traditional art forms through absurdity and spontaneity, Henzel's work transcends conventional rug-making techniques, encouraging a dialogue about the very nature of art and design. Each rug becomes a medium for self-expression, a canvas for creativity that invites both contemplation and interaction.

Moreover, Henzel's commitment to craftsmanship aligns with the principles of the Arts and Crafts Movement, which championed the value of artisanal skills in an increasingly industrialized world. Like William Morris, a key figure in this movement, Henzel emphasizes the importance of handcrafted quality and the beauty of materials, resulting in pieces that resonate with contemporary sensibilities while honoring traditional techniques. The Atelier Bowy C.D. collection serves as a modern reflection of this ethos, where the dedication to craftsmanship and artistry elevates the rugs beyond mere decor, positioning them as integral components of living spaces.

This collection not only showcases diverse artistic visions but also reflects a commitment to exceptional craftsmanship that resonates with those seeking unique, transformative design experiences. Henzel's exploration of materials, forms, and narratives parallels the experimental nature of contemporary artist Ai Weiwei, whose works challenge societal norms and provoke thought through innovative mediums. Much like Ai Weiwei’s installations, which invite viewers to engage with complex themes of identity, culture, and politics, Henzel’s rugs encourage a new understanding of texture and design, inviting interaction and engagement with the environment.

As the Atelier Bowy C.D. collection gains recognition, it embodies a contemporary art movement that transcends traditional boundaries, where the realms of art and design coalesce to create immersive experiences. In this dialogue between the past and present, Henzel’s work not only celebrates the rich history of artistic innovation but also paves the way for future explorations in textile design. Through this lens, each rug becomes a statement piece, a testament to the transformative power of art, and a celebration of the creative spirit that thrives in the ever-evolving landscape of contemporary design.

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In the evocative Night Editions collection, Calle Henzel unveils a series characterized by a nearly monochromatic palette of black, white, and grey. Drawing inspiration from various previous collections, these rugs exude an understated elegance that has garnered international design accolades. Each design is meticulously crafted, reflecting a profound exploration of color and form, creating pieces that resonate with a sense of quiet sophistication.

The tonal interplay within the rugs invites viewers to engage in a subtle dialogue, allowing them to perceive the nuances of texture and hue that elevate the ordinary to the extraordinary. Henzel's approach echoes the principles found in the works of minimalist artists like Donald Judd and Agnes Martin, who utilized simple forms and limited color palettes to evoke complex emotional responses. Just as Judd's geometric forms challenge perceptions of space and objecthood, Henzel's rugs invite contemplation of materiality and design, encouraging viewers to appreciate the intrinsic beauty of their surroundings.

Black has long been a powerful color in art history, employed by numerous artists to convey depth, mystery, and emotional resonance. The starkness of black can be seen in the works of artists like Kazimir Malevich, whose Black Square became a symbol of the Suprematist movement, representing a radical departure from representational art. Malevich’s embrace of the color black underscores a philosophical inquiry into the essence of painting itself, much like Henzel's exploration of textiles as a medium for artistic expression.

Similarly, the late American artist Robert Rauschenberg often incorporated black into his "Combines," where he merged painting and sculpture to challenge conventional artistic categories. Rauschenberg’s use of black as a grounding color in chaotic compositions reflects an understanding of the balance between void and presence, paralleling Henzel's tonal exploration that invites viewers to find beauty in simplicity.

In contemporary practice, artists such as Ad Reinhardt and Pierre Soulages have elevated black to an art form in itself. Reinhardt's monochromatic black paintings strip away any representational elements, pushing viewers to confront the surface and texture of the paint, while Soulages's noirs are explorations of light and texture on black canvases that reveal a dynamic interplay between the material and the immaterial. Henzel’s rugs, similarly, become platforms for exploring texture and hue, echoing the rich history of black in the visual arts.

In this collection, Henzel transcends the functional aspect of rugs, inviting appreciation for the artistry and craftsmanship embedded within each piece. Much like the immersive experiences created by Yayoi Kusama, whose polka dot motifs provoke reflections on perception and the nature of reality, Henzel’s rugs encourage an introspective journey through their delicate textures and harmonious forms, enriching contemporary interiors with a thoughtful aesthetic experience.

As with the rich histories of both minimalism and contemporary art, Night Editions serves as a reminder of the power of simplicity and restraint in art and design. The collection stands as a testament to Henzel's ability to bridge the gap between utility and artistic expression, reinforcing the notion that everyday objects can embody profound creativity and serve as focal points within a space. Each piece invites viewers to pause, reflect, and engage with the artistry of textiles in a manner that is both innovative and timeless.

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The 'Passage de l’Opéra' collection is a thoughtfully curated selection of designs tailored specifically for narrow spaces, showcasing the remarkable versatility of rug design in transforming constrained environments. Each piece is meticulously crafted to elevate these often-overlooked areas, turning them into canvases for artistic expression. Featuring works by Calle Henzel alongside notable contemporary artists such as Lawrence Weiner, Juergen Teller, Jwan Yosef, and Jack Pierson, this collection highlights the potential for creativity in even the most limited settings, proving that innovative design can flourish in any context.

Among the works are award-winning pieces such as Jwan Yosef's Duct, inspired by his experimentation with duct tape, embodying a playful yet sophisticated approach to materiality. Henzel’s Calata Piliero, drawing inspiration from layered rusty steel blocks, exemplifies a rugged elegance that echoes the raw and industrial aesthetic found in post-minimalist contemporary art. Each artist contributes a unique perspective, challenging conventional notions of textile design and pushing the boundaries of the medium.

Lawrence Weiner’s text-based approach invites viewers to engage with the physicality of language itself, provoking thought and reflection through his signature use of words as visual elements. Meanwhile, Juergen Teller’s vibrant imagery captures the essence of contemporary culture, blending art and photography. In this collection, Teller’s work features the iconic fashion designer Vivienne Westwood, highlighting the interplay between fashion, art, and cultural commentary.

Jack Pierson infuses nostalgia and beauty into his designs, evoking an emotional resonance through everyday materials. His contribution to the collection is based on Abstract #12 (2008), a freeform design with a surface treatment that replicates the worn, vintage feel through the variable material compositions of wool and silk, transforming the mundane into something extraordinary.

The collection is a testament to the dynamic relationship between space, form, and meaning, urging us to reconsider the role of rugs not merely as functional items, but as integral components of our artistic landscape. It invites viewers to engage with the idea that rugs, often relegated to the background of interior design, can serve as powerful vehicles for self-expression and cultural commentary. By positioning these pieces within the framework of fine art, the collection challenges us to rethink the boundaries that typically separate functional objects from artistic endeavors.

Each rug acts as a dialogue between the artist's intent and the viewer's perception, transforming the act of walking across a surface into an experience of artistic engagement. This collection prompts us to recognize that the environments we inhabit are enriched by the stories and inspirations behind the objects within them.

As we explore the intricate patterns and textures of the rugs, we are reminded that art is not confined to galleries or museums; rather, it permeates our daily lives, shaping our experiences and emotions in profound ways. The 'Passage de l’Opéra' collection, at its essence, blurs the lines between design and art, encouraging a more holistic understanding of how these two disciplines can coalesce to enhance our surroundings.

By showcasing the talents of contemporary artists and their unique interpretations of rug design, this collection highlights the importance of interdisciplinary collaboration in the realm of modern art. The contributions of artists like Henzel, Weiner, Teller, Yosef, and Pierson emphasize that creativity knows no bounds, and that the exploration of different mediums can yield remarkable outcomes.

In this light, the 'Passage de l’Opéra' collection invites us to engage not only with the aesthetic qualities of these rugs but also with the deeper cultural narratives they convey. It inspires us to reflect on the stories woven into the fabric of our daily lives and to consider how these narratives can be elevated through artistic innovation. As we immerse ourselves in this collection, we are encouraged to embrace the beauty of the ordinary and to recognize the artistic potential inherent in the materials and forms that surround us, ultimately redefining our understanding of what art can be.

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In the Aura Patina collection, Calle Henzel reinterprets traditional patterns through a contemporary lens, creating pieces that merge historical significance with modern aesthetics. This approach resonates with the works of several influential artists throughout art history, reflecting a broader movement where contemporary creators engage with historical influences to challenge and expand traditional narratives. For instance, Pablo Picasso's Cubist phase represents a similar dialogue with the past. By deconstructing classical forms and reconstructing them in fragmented, abstract ways, he invites viewers to reconsider how we perceive familiar subjects. Like Henzel’s use of diamond dust to create depth and texture, Picasso’s innovative techniques transformed established artistic conventions into new, dynamic expressions. Similarly, Wassily Kandinsky, a pioneer of abstract art, sought to evoke emotions through color and form rather than direct representation. His exploration of non-representational art parallels Henzel’s endeavor to translate the beauty of diamond dust into textile art. Both artists emphasize emotional resonance through innovative means, allowing viewers to experience art in multifaceted ways.

Roy Lichtenstein’s incorporation of comic book aesthetics into fine art challenges the boundaries between high and low culture, much like Henzel’s fusion of historical motifs with contemporary design. Lichtenstein's bold use of color and form echoes Henzel’s muted tones paired with striking overlays, achieving a dialogue between past influences and modern aesthetics. Furthermore, contemporary artist El Anatsui is renowned for transforming discarded materials into intricate installations. His work reflects a synthesis of traditional African craftsmanship and contemporary art practices. Similarly, Henzel’s hand-knotted rugs merge time-honored techniques with innovative designs, creating pieces that speak to both cultural heritage and contemporary aesthetics.

Henzel’s signature diamond dust overlays serve as a catalyst for his creative process, reminiscent of how artists like Jackson Pollock employed unconventional materials and techniques to push the boundaries of expression. Pollock’s drip paintings invited viewers to engage with the physicality of paint and canvas, just as Henzel’s rugs invite tactile engagement and appreciation of their textured surfaces. Moreover, Anni Albers, a pioneer in textile arts, explored the intersection of weaving and modern art, emphasizing the importance of materiality in her work. Henzel’s commitment to the intricate craftsmanship of hand-knotted rugs reflects a similar dedication to elevating textile design into the realm of fine art.

Through the Aura Patina collection, Henzel not only honors the rich tapestry of artistic history but also reinforces the notion that contemporary design is a continuation of this legacy. His work encapsulates the dialogue between the past and present, inviting viewers to appreciate the ongoing evolution of artistic expression. By engaging with historical influences while forging innovative paths, Henzel ensures that his rugs transcend mere decoration, evolving into dynamic artistic statements that resonate deeply with collectors and design enthusiasts alike. This exploration of continuity in artistic expression serves as a reminder that creativity is an ever-flowing dialogue, where each piece becomes a vital link in the chain of cultural heritage and innovation.

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The Largo Isarco collection, curated from Calle Henzel's extensive archive, is a profound exploration of artistic transformation. Drawing from a vast repertoire of original artworks—ranging from drawings, collages, graffiti, and sketches to mixed media objects—the collection transforms these two-dimensional works into three-dimensional rug designs. In this process, each piece becomes a narrative of creativity, bridging Henzel's raw artistic impulses with intricate craftsmanship. This transformation is not just physical but conceptual, creating a dynamic conversation between the viewer and the artwork, echoing the dialogues present in the broader contemporary art world.

At the core of this collection is an exploration of the relationship between simplicity and complexity. The Ugo Bassi Isola series, created during Henzel’s temporary residency in Milan's Isola neighborhood, embodies this dichotomy. Its abstract color fields and textured surfaces defy conventional design standards, presenting a raw beauty that challenges and redefines our perception of luxury and art. Henzel’s appreciation for imperfection echoes the spirit of Robert Rauschenberg’s “combines,” where everyday objects and materials—often discarded—are elevated into the realm of high art. Like Rauschenberg, Henzel finds beauty in creative detritus—studio waste, paint spills, or torn cardboard—transforming them into meaningful expressions that emphasize the potential of overlooked materials. These rugs, much like Rauschenberg’s works, invite viewers to engage with the tension between form and chaos, cleanliness and disorder, resulting in designs that celebrate the aesthetic possibilities in everyday textures and objects.

In parallel, the Calata Piliero series finds its inspiration in the rugged visual language of stacked rusty steel blocks, evoking an industrial elegance that speaks to the strength of raw materials. This approach resonates with the work of Richard Serra, whose monumental steel sculptures challenge viewers to confront the materiality of the world around them. Henzel, like Serra, creates works that bridge the natural and the human-made, encouraging viewers to appreciate the inherent beauty and power of industrial materials. Both artists provoke reflection on the relationship between material, space, and the viewer, transforming something traditionally seen as utilitarian into an object of contemplation and beauty.

Contrasting these industrial and abstract expressions, the collection also features minimalist pieces from the Alta Caletta, Aria di Lupi, and Cellere series. These designs, rooted in simplicity, emerged from Henzel’s playful exploration with paper, scissors, and tape, capturing spontaneous, organic forms. This approach draws clear parallels with Donald Judd’s minimalist sculptures, where clarity and restraint are central to the aesthetic. Like Judd’s work, Henzel’s minimalist rugs invite a deeper engagement with form, focusing on the power of simplicity in design. This restraint allows for a meditative quality, creating moments of calm amid the more complex, abstract works in the collection.

Ultimately, the Largo Isarco collection stands as a testament to Henzel’s innovative spirit. It navigates the intersection of historical artistic movements and contemporary design, honoring influences from artists like Rauschenberg, Serra, and Judd while establishing a distinctive voice in the realm of luxury art rugs. The collection challenges viewers to rethink conventional notions of design and material, celebrating the intricate interplay between simplicity and complexity, and the beauty found in both the raw and the refined. Through this collection, Henzel Studio pushes the boundaries of what a rug can represent, inviting the viewer to engage with the evolving nature of artistic expression.

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The Ombré Organic collection draws inspiration from the fluidity and dynamism of ancient sculptures, merging the past with contemporary artistic expressions. Each rug reflects the organic forms often found in classical works, where the interplay of light and shadow evokes a sense of movement and depth. Just as ancient sculptors embraced the imperfections of their materials—transforming stone into lifelike representations—the Ombré Organic rugs celebrate a raw, unrefined quality that resonates with viewers on a visceral level.

This juxtaposition of organic shapes against modern design philosophies invites a dialogue about the evolution of art. While ancient sculptures embody the ideals of their time, the Ombré Organic collection infuses these historical references with a punk-inspired aesthetic. This influence manifests in the collection's uneven fringes and unexpected holes, elements that disrupt conventional expectations and embrace a spirit of rebellion. This approach recalls the work of artists like Jean-Michel Basquiat, whose raw, unfiltered style challenged societal norms and embraced the beauty of imperfection, reflecting a similar anti-establishment ethos.

Contrasting with the chaotic elements of punk-inspired aesthetics, the collection maintains a calm and serene palette, embodying the essence of ombré. The transition from one hue to another serves as a visual representation of balance amidst chaos, where the tranquility of the colors invites a sense of peace and introspection. This gradual blending of tones parallels the work of Mark Rothko, whose color field paintings explore emotional depth through subtle gradations, inviting viewers to immerse themselves in contemplative experiences.

In this way, the Ombré Organic collection becomes a visual dialogue that transcends time, inviting viewers to reflect on the complexities of artistic expression. It challenges the notion that art must fit within rigid categories, showcasing how contemporary design can embrace historical influences while pushing boundaries. By celebrating the imperfections and organic qualities of each piece, Henzel Studio honors the legacy of ancient artistry while paving the way for innovative, thought-provoking design in the modern era.

The collection also resonates with the spirit of artists like Anni Albers, who merged textile arts with modernism, emphasizing the tactile nature of materials and the importance of craftsmanship. Albers’ exploration of weaving as a medium for artistic expression parallels Henzel’s approach, where the rug serves as a canvas for both aesthetic and tactile experiences.

Like the installations found in contemporary art museums that juxtapose historical artifacts with modern creations, the Ombré Organic collection embodies a living testament to how the past can inform and enrich present-day artistry. It invites viewers to reconsider the narratives of art, design, and their interconnectedness across time, reinforcing the idea that every creative expression is part of an ongoing dialogue—a continuum that honors tradition while daring to innovate.

In essence, the Ombré Organic collection invites contemplation and engagement with the viewer's own experiences, celebrating the rich tapestry of artistic exploration that connects ancient influences to contemporary design.

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The Dual Terrains (Collaborations) collection represents a groundbreaking fusion of fine art photography, mixed media, drawings, and textile design, showcasing the visionary work of celebrated artists such as Anselm Reyle, Mickalene Thomas, Mary McCartney, Katerina Jebb, Calle Henzel, Linda Linko, and Patrick Church. Each artist brings a unique perspective that enriches the collection's narrative, while the lineup continually evolves to introduce fresh voices and ideas.

Distinguished by its innovative use of chromogenic print techniques on velour, this collection achieves an extraordinary photographic quality that transcends traditional rug design. Each piece is meticulously crafted to transform everyday spaces into extraordinary environments that provoke thought and evoke emotion. Not only do these rugs enhance floors, but they can also be displayed on walls, adding an artistic touch to any interior.

Designed for both indoor and outdoor use, the rugs adapt seamlessly to diverse settings, from chic urban entrances to serene bathrooms and outdoor terraces. Their non-slip backing ensures practicality without compromising style, reflecting Henzel Studio's commitment to blending functionality with aesthetic appeal. The chromogenic print technique captures vibrant imagery, providing a tactile experience that resonates with viewers on multiple levels. Each rug serves as a canvas for storytelling, inviting reflection on the interplay between art and design. This lifelike representation of artistic expression bridges the gap between the gallery and everyday life, redefining the relationship between art and functional design.

Historically, artists have consistently pushed the boundaries of their mediums through innovative techniques and technologies, reflecting the evolving nature of art and its relationship to society. In the 19th century, the emergence of photography revolutionized visual art, allowing figures like Gustave Courbet and Julia Margaret Cameron to explore new dimensions of representation and realism. Courbet, known for his commitment to depicting everyday life, harnessed photography to document his subjects authentically, paving the way for the Realism movement. Meanwhile, Cameron’s pioneering work in portrait photography captured the essence of her sitters with an intimate and emotive approach, showcasing the medium's ability to convey complex human experiences. Their explorations not only transformed the way art was created but also how it was perceived, blurring the lines between art and documentary.

The introduction of synthetic dyes in the textile industry further expanded the possibilities for artists, enabling figures such as Anni Albers and Sheila Hicks to experiment with color and texture in their woven works. Albers, a key figure in the Bauhaus movement, embraced the new dye technologies to create vibrant textiles that merged artistic expression with functional design. Her innovative approach to weaving not only challenged traditional craft boundaries but also elevated textile art to a respected status within the fine art realm. Similarly, Hicks utilized these advancements to explore the tactile qualities of materials, crafting pieces that invite interaction and provoke thought about the relationship between art and daily life. Her work celebrates the intrinsic qualities of textiles, emphasizing their potential to transcend mere functionality and become immersive artistic experiences.

As the 20th century progressed, movements like Abstract Expressionism and Pop Art began to emerge, driven by artists who embraced new media and techniques. Figures such as Jackson Pollock and Andy Warhol experimented with unconventional materials and processes, redefining artistic practice. Pollock's use of drip painting challenged the notion of traditional canvas work, allowing for an organic flow of color and form that reflected spontaneity and emotion. Warhol's incorporation of silkscreen printing not only facilitated mass production but also questioned the nature of originality and consumerism in art, setting a precedent for the interplay between art and commercial culture.

In the digital age, the rise of technology has further transformed artistic expression, providing artists with tools to explore new dimensions of creativity. Digital artists like Casey Reas and Jenny Holzer have harnessed the power of algorithms and programming to create dynamic works that engage audiences in novel ways. The manipulation of digital imagery, video, and interactive installations invites viewers to experience art in multifaceted environments, blurring the line between creator and audience.

The Dual Terrains (Collaborations) collection aligns itself with this rich history of innovation, integrating contemporary artistic practices with traditional craftsmanship. By utilizing advanced chromogenic printing techniques, the collection embodies the spirit of exploration that has defined artistic movements throughout history, illustrating how the evolution of techniques continues to inspire new forms of expression. As artists adapt to and embrace new technologies, they challenge existing paradigms and expand the possibilities of their mediums, enriching the cultural landscape with diverse and thought-provoking works.

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